The Hobbit: Part Three: Battle of the Five Armies

SPOILERS BELOW!

Okay, so my initial reaction to the final Peter Jackson Middle-Earth movie wasn’t as positive as I was expecting. I actually quite liked a lot of the second Hobbit movie — Smaug, for example, was excellent — and I was fully expecting PJ to nail the landing with Part Three. I thought he’d be able to pull all the threads together and deliver a satisfying finish, just as he did with Return of the King ten years ago. Sure, he doesn’t have the wealth of material to draw on that he did back then — The Hobbit is no Lord of the Rings, of course (and it’s not supposed to be). But surely he would have some plan for Part Three, right? Some way to pull it all together?

Sadly, no. “Battle of the Five Armies” is the least of the three Hobbit movies. It feels bloated and poorly constructed. Massive monsters (the rock-boring worms) are introduced in one scene, then never heard from again. Whole fleets of giant bats are introduced, take Legolas for one short CGI flight, then vanish utterly. The Battle itself becomes a mess of lousy CGI and weak characterization. We learn that Smaug’s hoard is cursed with dragon-sickness, which is strange, as it was the curse on the hoard (and on the mind of the hoarder) that supposedly drew Smaug in the first place. So that means the hoard gets cursed twice, which just seems like poor storytelling.

In short, I was utterly disappointed with “Battle of the Five Armies”. I’m a massive “Lord of the Rings” fan and have watched those movies more times than I can count. In addition, I’m also a Tolkien nerd and have read every single word he’s ever written multiple times, including “The Silmarillion” and “The Lost Tales” (both of which I utterly love).

I think Peter Jackson has done an amazing job with Middle-Earth, and I was fully expecting that to continue with the Hobbit movies. And he had an entire decade (!!!) to work on the script. My mind reels at how he and his partners could have botched it so terribly. Part of the fault, of course, lies in the source material. J. R. R. Tolkien’s “The Hobbit” is a charming, briskly-paced children’s fantasy, not an epic saga a la “Lord of the Rings”, and if translated to the screen it should have been one movie, two at the absolute most. When stretched out into three long movies, it becomes bloated and hollow, even with the extra material involving the Necromancer filling it out. Then add all the crappy CGI, odd story decisions (a dwarf-elf romance “could” work, maybe, but not like this) and general excess (Legolas surfing on spiders, leaping from dwarf head to dwarf head) and you get a hot mess. If the orcs had been achieved practically, I could enjoy these movies a lot more, but the dodgy CGI through which they were achieved saps my enjoyment a great deal.

Okay, back to “Battle of the Five Armies”, specifically. Bilbo has one big heroic contribution to the novel’s central conflict, slaying the dragon. He’s the one that spots the missing scale and relays the information to Bard, who utilizes it to kill Smaug. In the movie this never happens. Although the moment is set up in Part Two, when indeed Bilbo sees the missing scale, he’s never able to do anything with the information in Part Three. Bard independently sees the missing scale and kills Smaug (in a very anti-climactic fight, by the way). So what was the point of Bilbo seeing the missing scale in the first place? It surely wasn’t to set up the idea that indeed the scale was missing, as that’s achieved during the flashback in Part Two. So that whole story thread went nowhere and robbed Bilbo of his greatest glory.

Which brings me to the Arkenstone. If Bilbo helping to slay Smaug is to be denied him, then surely he can be an effective hero elsewhere, right? Maybe he can steal the Arkenstone and stop the battle between the good guys.

Nope. He steals the stone, alright, but the battle goes on as planned, or begins to, anyway, before the arrival of the CGI orcs, after which Bilbo does very little. He’s giving a brief mission to do at one point and accomplishes it, but for little story gain. He essentially does nothing to warrant his status as main character throughout the entire final movie, which is a shame as he was fairly effective in Part Two, rescuing the dwarves repeatedly and infiltrating Smaug’s lair, etc. But any hobbity heroism is thrown out the window in Part Three for lame CGI battles.

And they are lame. I could forgive this movie a lot if the battles — er, Battle — kicked ass. But it doesn’t. It goes on and on, and on some more, but it’s never a tenth as involving as the Battle of Pelennor Fields. Hell, it’s played for laughs! Afrid, the weasel-faced sidekick to the Master, has one comic misadventure after another while at the same time tension is supposed to be mounting up. I kind of enjoy Alfrid, broad as he is, but his antics undermine what should be the most gripping part of the whole narrative.

Sigh. I’m running out of steam here. I think I’m going to leave off of the rant for the moment, leaving the possibility open to return to it at some future time. I can’t even summon the passion for “The Hobbit: Battle of the Five Armies” to properly lambast it.

I will, however, pick up the Extended Edition the first day it comes out, and I’ll eagerly watch it, hoping beyond hope that somehow, some way, Peter Jackson is able to fix his last foray into Middle-Earth in that version, if not in this.

If nothing else, hopefully someone will make a great fan edit out of these movies.

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Map of Felgrad

Alright! I’m finally getting into the swing of this whole website business and am putting all my maps up with (hopefully) functioning links. Here’s the map of the beleaguered kingdom of Felgrad and the lands immediately south of it, the setting of my dark epic fantasy War of the Moonstone, whose first volume (it’s divided into two parts) can be found HERE.

 

Map of Felgrad

Map of Felgrad

 

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Goodreads giveaway!

Tired of your Kindle running out of batteries right when you’re in the middle of a juicy part of The Atomic Sea (what am I talking about? It’s all juicy–and squishy!)? Well, fret no longer! Enter for a chance to win one of three print copies of your favorite epic fantasy / science fiction adventure HERE.

Hurry! The giveaway ends January 9th, 2015.

 

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New thought on the new Star Wars trailer

It’s been confirmed that Andy Serkis provides the narration for the trailer. That being the case, I’m going out on a limb (not a particularly treacherous one, granted) and theorizing that he’s playing a CGI character. No, not just because that’s his thing — I quite like his non-CGI presence and would love to see him as Andy Serkis in just about anything — but because that voice he’s doing does not sound like something that would go with his actual physiology. Obviously, it does, but it doesn’t seem natural, doesn’t? If we saw him doing that voice out of his normal self, even alien-ed up, it wouldn’t seem right. In order for that voice to sound natural, it almost has to be the voice of a character that doesn’t correspond to Andy Serkis’s human self.

This isn’t new information, of course, but it does seem to corroborate that he’s playing a CGI character.

Does that mean he’s playing an alien, an altered human, a cyborg, or something else? I have no idea. But it doesn’t sound like he’s playing a good guy, in any case. If he is playing a good guy, someone get the poor fellow a cough drop.

I’m actually very excited about the Star Wars trailer. It’s new and fresh, exciting and tense, all the things the prequels weren’t. There’s no Jar Jar, no fart jokes (I’m looking at you, Phantom Menace) — at least, not yet. JJ Abrams still has time to insert a few. But I don’t think he will. They wouldn’t fit the tone of this trailer. He’s doing his usual tense, highly watchable shtick, but applying it to Star Wars.

I have many reservations about him handling SW, but I have strangely high hopes, as well. He created and wrote the pilot for LOST, which is one of my favorite television shows of all time, if not the favorite, and that pilot was brilliant. As a director, he knows how to create tension and movement. I actually kind of hated his Star Trek movies — especially the second one — but that’s because they just didn’t feel like Star Trek. They’d lost their vibe, their soul. JJ doesn’t love Star Trek, though, and he loves Star Wars.

Here’s hoping he does an awesome job.

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New Book Release!

I’m very excited to unleash my new series on the world. I’ve been working on it for years, and I’m very proud of it. It’s called The Atomic Sea and I consider it my magnum opus. It’s an epic adventure in a strange world.

What’s it about?

The Atomic Sea: Part One

The Atomic Sea: Part One

Imagine the epic fantasy adventure of The Lord of the Rings blended with the cosmic strangeness of China Mieville or Jeff Vandermeer, and you’ll have some idea of the wonders and delights awaiting you in The Atomic Sea.

A thousand years ago, the sea changed, becoming strange and unnatural, and in the process transforming the world. Now, with the Empire of Octung plunging the world into a terrible war, only one man — Dr. Francis Avery — and his rag-tag band have a hope of ending the chaos and, once and for a all, uncovering the mystery of the Atomic Sea.

 Dr. Avery is out on the sea serving as the doctor aboard a whaling ship when a most curious patient is brought to him — a beautiful woman fished out of the Atomic Se, who has survived the horrors and poisons of the water, and who carries a secret that could either save the world or damn it. At the same time, murders have been occurring aboard the ship — there’s a spy for Octung aboard. If Avery doesn’t save the woman from the killer and help her achieve her ends, the whole world will be plunged into nightmare.

 This is just the beginning of the incredible adventure waiting in The Atomic Sea. There will be five parts, and the first two are already available. To read an except of Part One, go here.

You can find The Atomic Sea: Part One (the whole novel) here.

 

 

 

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